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The Top World Cup 2018 Shirts: A Lesson in Late Stage Capitalism and Global Homogenization

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Four Years ago, I wrote a piece detailing my top picks among the 2014 kits and my choices for the top five classic world cup kits. With just seven days until the 2018 FIFA World Cup kicks off in Russia, I thought I would do the same. However, this year, the list will be a little more sociological than the one from four years ago.

Indeed, outlets like GQ have provided their rankings, as well as a slew of other websites; one need only search “top world cup shirts 2018” in order to be bombarded by hundreds of choices. This is why my list will not be so much as a ranking. Instead, it will be commentary on just how late stage capitalist logic—and one dimensional thought—invade every aspect of our lives. This invasion—similar to the colonization of the life world by the system, that Sociologist Jurgen Habermas has written about—is very evident in the world of football shirts.

For an introduction to the topic, please see my earlier post from 6 July 2017 here. In short, my argument is that when the logic of consumption drives the creative process, one dimensional thought becomes the norm. Designers and creative minds are unwilling—in fact, in some cases, they may even be scared—to stray from the “tried and true” methods. After all, these are the methods that have brought profit. Therefore, creativity is stifled by a dominant form of one dimensional thought which cannot stray from its own money-making logic.

This is why cars have started to look more and more the same, and why mobile (or cellular) telephones are virtually indistinguishable from one another regardless of if they are iPhones, Samsungs, Nokias, HTCs, LGs, or any other brand. As a human society, we have become used to images—we are obsessed with them, as Jean Baudrillard has said—and this means that our reality is more of a hyperreality dominated by these images. We know what a mobile phone should look like, anything that does not look like the image we have been grown used to cannot be a phone (think of flip-phone versus iPhone). Similarly, with cars, we see the same process. We have become used to what a “luxury” car should look like, so we cannot conceive of anything that does not look like what we expect (perhaps this is why Hyundais and Kias look virtually the same while also resembling more expensive brands like BMW and Audi).

 

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Which One Of These Is a Phone? Image Courtesy Of: https://thoughttamales.wordpress.com/tag/prepaid-cell/

 

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The Same Car? Image Courtesy Of: https://www.carwow.co.uk/blog/kia-sportage-vs-hyundai-tucson

Unfortunately, football shirts are not immune from this ongoing homogenization in the name of increasing consumption, and the latest World Cup shirt designs show this. More than a few of this year’s shirts bare a striking resemblance to older shirts, which makes for a very boring overall lineup.

 

Spain 2018. Image Courtesy Of: http://www.gq-magazine.co.uk/gallery/world-cup-kits-ranked-2018

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Spain’s 2018 shirt did not impress GQ, and this is perhaps because it is just a re-hashing of the country’s classic 1994 design.

 

Spain 1994. Image Courtesy Of: http://www.branchofscience.com/2014/05/nineties-kits-usa-94-special-part-two/

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Colombia 2018. Image Courtesy Of: http://www.gq-magazine.co.uk/gallery/world-cup-kits-ranked-2018

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Another shirt that GQ didn’t like. Perhaps that is because this is just a modernized version of Adidas’ 1996 template; the antecedent of this shirt was perhaps Romania’s Euro 1996 shirt.

 

Romania 1996. Image Courtesy Of: https://thefootballshirtcollective.tumblr.com/post/142359500227/repost-199698-romania-home-shirt-from

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Mexico 2018. Image Courtesy Of: http://www.gq-magazine.co.uk/gallery/world-cup-kits-ranked-2018

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Mexico’s 2018 kit is not very imaginative (and has no resemblance to the beauties from 1998 which actually paid homage to Mexico’s Central American heritage). Instead, this kit seems to have been inspired by Bulgaria’s 1994 World Cup Kit. I suppose that is globalism at its best; in 20 years Mexico went from gaining inspiration from their own history to gaining inspiration from…Bulgaria. Maybe it is due to the fact that both countries’ flags share the same tricolor, who knows.

 

Bulgaria 1994. Image Courtesy Of: http://kirefootballkits.blogspot.com/2011/10/bulgaria-kits-world-cup-1994.html

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Germany 2018. Image Courtesy Of: : http://www.gq-magazine.co.uk/gallery/world-cup-kits-ranked-2018

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While Germany’s shirt might be striking in this line up, it is merely a rehashing of the classic West Germany shirt from 1988. And, like so many shirts on this list, the new one is not as nearly as well designed as the old one. Indeed, sequels are never as good as the originals.

 

Germany 1988. Image Courtesy Of: http://hullcitykits.co.uk/meet-the-hck-staff/

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Nigeria 2018 (Image Courtesy Of: http://www.gq-magazine.co.uk/gallery/world-cup-kits-ranked-2018

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Nigeria’s new kit has been widely touted as one of the best in this year’s tournament. GQ calls it “eccentric”, and given that it is already sold out in the UK it goes to show that sometimes it pays to stray from one-dimensional thought. Yet, at the same time, even this shirt is not completely unique. When I first saw the shirt I couldn’t help but think that I had seem something like it before. Indeed, it bares some resemblance to Holland’s classic 1998 design and West Germany’s Euro 1988 Away kit as well as Northern Ireland’s 1990 Umbro shirt.

 

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Holland 1988. Image Courtesy Of: https://www.retrosyrarezas.com/products/holland-netherlands-mens-retro-soccer-jersey-euro-88-gullit-10-replica

 

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Germany 1988-1990. Image Courtesy Of: http://kirefootballkits.blogspot.com/2016/07/germany-kits-euro-1988.html

 

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Northern Ireland 1990. Image Courtesy Of: http://nifootball.blogspot.com/2006/10/iain-dowie.html

 

It is important to note that this list—and this criticism of the 2018 shirt line up—is not to say that respecting the past, and paying homage to past designs, is not a bad thing. Indeed, respecting the past and what has come before is a good thing. But this does not mean that we should be blind to the fact that, in the name of consumption, we are being sold the past back to us in the present. It means that while we—as consumers—are paying more and more for our products, while the designers may be getting less and less creative. And it also means that there is a very real double standard in world football when it comes to shirt designs.

I will leave this post with a comparison between the 1996 Turkey Home and Away shirts and the 2016 “Spider Man” home and away Turkish Kits. Perhaps, in this instance, the designers would have done well to seek some inspiration from the past. But even here, the “past” of 1996 still represented by an Adidas template.

 

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New vs. Old. I am not a fan of the new shirts at all. Image Courtesy of the Author.

 

In March 2018 a Turkish sports pundit, Mehmet Demirkol, came out threatening to take the Turkish FA to court if they did not return to the classic Turkish national shirt design. The classic design has been changed on and off for years, culminating in the monstrosity of the 2016 “Spider Man” kits. And it is here that I agree with Mr. Demirkol. There is such a thing as national symbols, and—as Mr. Demirkol argues—the football shirt is a national symbol. We do not see international corporations like Nike and Adidas playing with German, English, Brazilian, Dutch, or Argentine kits. No, such countries have been wearing similar designs for years. Indeed, as I pointed out, Germany has returned to a classic design for the 2018 World Cup. Yet countries like Mexico and Turkey have their kits played with—and their national heritages ignored—by the whims of global capital. In order to resist the ongoing global homogenization of global corporations and globalist ideas, it is important to respect your national heritage regardless of which country you come from. And, even when it comes to football shirts, we can still stand up for our countries in the face of globalism.

 

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The Classic “Red Stripe” Design Evoking the Turkish Flag. Image Courtesy Of: http://www.milliyet.com.tr/yazarlar/baris-kuyucu/17-yil-sonra-klasik-forma-1206165/
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Industrial Football, Globalism, Homogenization Consumerism, Imperialism, and Football Shirts: The Case of Leeds United’s New Crest

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Most football fans will already be aware of how industrial football works. As it encroaches on football clubs it first globalizes them, distancing them from their localities and their fans, before homogenizing them into a form more compatible to the consumerist culture of extreme capitalism. At the same time, industrial football serves to only benefit the same groups that stand to benefit from a globalist, “borderless” world: multi-national corporations.

Leeds United is the latest club to face the wrath of industrial football gone mad, with their hideous new logo. Like Juventus, Leeds United’s technocrats came up with a brand new logo, prompting ridicule from the football world. Even heartburn remedy Gaviscon recognized the ridiculous new logo as what it is—hideous.

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The New Crest is Definitely “Soulless” and “Offensive in its Robotic Inoffensivity”, Which–I Suppose–Is Important In a World Where People Look For Ways To Be Offended.

 

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FC Zenit’s Fans Always Know How to Point Out Absurdity in Industrial Football.

 

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Point Well Taken Mr. Short, Leeds’ New Crest Is Depressingly Ahistoric.
Images Courtesy Of: https://www.express.co.uk/sport/football/909386/Leeds-United-badge-logo-salute-LUFC

 

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Image Courtesy Of: https://www.yorkshireeveningpost.co.uk/news/heartburn-remedy-gaviscon-posts-ad-mocking-new-leeds-united-crest-1-8983602

 

The Independent’s Jonathan Liew gave a good reason for why Leeds United’s new crest should not, necessarily, surprise us. Liew notes the “faux-inspirational” dogma with which global corporations speak to us these days, referencing a message he saw inside a package of muesli: “No-one ever looked back at their life and wished they’d spent more time at work”. I have long railed against this kind of faux-inspirational language emanating from the corporate world; for me the Gap’s ridiculous holiday slogan of “Love” is a cheap attempt to frame consumerism as a humanist virtue when, in reality, it is just boring clothing with no emotional value whatsoever being sold as something more. Liew correctly notes the reason that such cheap marketing ploys work on us:

 

Part of the reason our muesli and our shower gel have started talking to us, I think, is to do with the way we interact with each other these days. The face-to-face and the voice-to-voice conversation have been supplanted as our primary means of communication by the email and the instant message. Though we are all theoretically closer together, we are actually more alone, and more detached, than we ever have been. And so into this torrent of words and pictures slide the brands: cleverly disguised as your friends, talking just like the sort of regular people you would meet, if you ever met people, or talked to them. We have replaced genuine human connection with an ocean of talking machines spouting cutesy banter, and when most communication has been stripped of its basic human signals, it’s tempting to wonder: what, really, is the difference?

 

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The Gap, A Globalist Company That Sells Our Human Emotions Back To Us. Image Courtesy Of: http://www.lovemarkscampus.com/gap-love-comes-in-every-shade/

 

In a world where social media has alienated us from one another more than we could have ever imagined, we are seeking emotional connections to…corporate brands. If this is not absurd, then I do not know what absurd is.

The Sunday Express’s Joe Short labeled the new badge “soulless” and “offensive in its robotic inoffensivitiy”. At the same time, Mr. Short connects the entire process to globalism and the homogenized consumerism it encourages:

 

Make no mistake, Leeds in rebranding are setting themselves up for the world. And to do that you need to play by the world’s game. And that includes design, it includes marketing. It’s why Everton changed their logo to a simpler design so it can go on pencils and key rings and all the other crap a football club mass produces.

 

Hopefully, the fan’s protests will reverse the team’s decision. Sadly, I am not very optimistic. This is because this same process has happened elsewhere, and not just at Juventus.

The uniforms for the Dutch women’s national team changed in summer 2017, with the classic Dutch crest’s lion undergoing a sex change. According to shirt designers working with Nike “It’s a message that gives female players something of their own to rally behind and to help drive sports participation amongst women in the Netherlands and beyond”. At the outset it seems like a suitably noble endeavor; couched in the language of “gender equality” and “social justice” the casual observer would think that there is nothing wrong. Yet—as one commentator on Dezeen’s online story points out—hidden in the “lioness’” tongue is a Nike logo! This is how the globalist world works. It tries to sell us corporatization and consumerism and homogenization with catchwords like “equality” and “tolerance” and “progressive ideology”.

 

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Notice the Nike Logo? Image Courtesy Of: https://www.dezeen.com/2017/07/13/royal-dutch-football-association-replaces-lion-crest-with-lioness-national-womens-team/

 

This is how a memorial for a heinous terror attack becomes mere product placement for a budding artist; using a tragic event to sell art must be one of the lowest forms of life but . . . people do it. This is how the European Union, sold to us as the panacea to Europe’s political problems and the end of fascistic nationalism, becomes—itself—the prototype for a fascistic world government. Because it sounded so good to progressive minds, no one could see that taking away national sovereignty—and governments for the people and by the people across Europe—would result in a technocratic form of fascism.

Now, the fans of Leeds United have learned just how fascistic extreme capitalism in the globalist world can be. Juventus fans learned it last year. Just how many more teams—how many more communities—have to lose their teams to consumerism before we all wake up to the undeniable fact that globalism and globalization are a lie?